Art, Nature, & Living

Ignore them.

That’s Hugh McLeod’s advice, anyway.

These days, most everyone agrees that Hugh’s idea of creating cartoons on the backs of business cards was a spark of sheer genius. But, Hugh says:

"When I first started with the biz card format, people thought I was nuts. Why wasn’t I trying to do something more easy for markets to digest i.e. cutey-pie greeting cards or whatever?"

Always remember that, as the artist, you’re the creative one. You’re the visionary. You’re the one who must learn to "trust your gut". Most other people can’t possibly "get" your creative ideas before you’ve proven them to work. As Hugh says, "The more original your idea is, the less good advice other people will be able to give you."

All this sage wisdom from Hugh is being compiled for his upcoming book that will be based upon his popular manifesto, How to be Creative. If you’re feeling discouraged about your art career, a particular new work, or any creative endeavor, think about what Hugh writes in the notes for his first chapter:

"It’s more like, the better the idea, the more ‘out there’ it initially will seem to other people, even people you like and respect. So there’ll be a time in the beginning when you have to press on, alone, without one tenth the support you probably need… GOOD IDEAS ALTER THE POWER BALANCE IN RELATIONSHIPS, THAT IS WHY GOOD IDEAS ARE ALWAYS INITIALLY RESISTED."

You can read more from Hugh regarding creativity and resistance from others in his blog post:
Good Ideas Have Lonely Childhoods.

Sincerely,
Clint Watson
Software Craftsman and Art Fanatic

 
PS:
"All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident." ~ Arthur Schopenhauer

This article originally appeared at the following URL:
www.clintwatson.net/blog/5386

Cascadas de los Niños
© Lawrence Duncan

In every creative profession, including the visual arts, there’s a moment when there is hope for the artist to begin the journey from good to great. Ironically, that moment of hope happens at the instant the artist realizes that how "bad" he really is.

Let us illustrate… when your editor was younger, he fancied himself a fantastic programmer:  "There’s no challenge too great for me," he thought, "anything you can conceive, I can make a computer do it."

More recently, however, we’ve been opening up our mind… reading books, reviewing source code written by other (better) programmers. And, most horrifying of all: reviewing code that we, ourself, wrote some years back.

And, dear artist, the honest, unabashed truth is that… compared to the greats… we just aren’t there. Have you ever looked at another artist’s work and had that feeling? Or worse? Or, perhaps you’ve walked into a gallery and left vowing to throw your paint brushes away because you have so far to go compared to the works you’ve just admired?

Congratulations, dear artist, the moment you have that uncomfortable experience, and not a moment before, is the moment you can take the first steps toward true greatness. Here’s how one of the greats in our industry, programmer, Jeff Atwood, puts it on his blog Coding Horror:

"[Every time I saw the Coding Horror illustration], I would chuckle. Not because of other people’s code, mind you. Because of my own code. That was the revelation. You’re an amateur developer until you realize that everything you write sucks.
YOU are the Coding Horror."

It’s the same with art - you’re an amateur artist until you realize that everything you paint… let’s say… isn’t great.

It’s a bit of a paradox, isn’t it? Most amateur artists we know tend to be over-confident in their artwork, while the greatest artists that we have ever met, can’t even see the true greatness of their own artwork… they tend to focus on how much they still want to learn, and how much they still want to improve. Back when we owned an art gallery, people would come in declaring themselves to be "artists"… having been painting for perhaps 6 months or so.

The would walk past paintings by true masters in our gallery… people like Kevin Macpherson, David Leffel, Mian Situ and Laura Robb, and confidently announce that they were ready to exhibit their artworks in our gallery. They weren’t even close. They literally could not even see the difference between their amateur artwork and the works of artists who had spent a lifetime devoted to getting better day in and day out.

Occasionally, however, an artist would spend some time viewing the art and then announce to us that she just would never measure up and might as well throw her brushes away. Those were the artists that excited us, because there was now hope. We would ask her to show us her artwork and to stay in touch.

So, dear artist, when you’re feeling down, feeling like you’ll never be great, rejoice! You’ve reached the moment of hope.

Sincerely,
Clint Watson
Software Craftsman and Art Fanatic

 
PS:
It may seem a bit of a downer, that the better you get, the more you realize that you’re not great. However, it’s not. Creative pursuits require a lifetime journey of commitment and growth. It’s a journey, not a destination….so while you may never be satisfied that you have “arrived”, you’ll get a bit closer every day, and the true greats all enjoy the ride… and what a beautiful ride it is… won’t you join us for the journey?

For more information on the similarities of programmers (hackers) and artists (painters) and other tortured souls, consider reading: Hackers and Painters by Paul Graham

This article originally appeared at the following URL:
www.clintwatson.net/blog/2713